1001 Arabian Nights

Nichols' second printing is a scarce and handsome edition, the first to include the illustrations by Letchford.

Frame story[ edit ] An early example of the frame story , or framing device , is employed in the One Thousand and One Nights, in which the character Scheherazade narrates a set of tales most often fairy tales to the Sultan Shahriyar over many nights. By the midth century, six successive forms had been identified: 

As the translator himself notes in his preface to the three volumes, "91o attempt has been made to superimpose on the translation changes that would be needed to 'rectify'

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The Arabian Nights stories are some of the world’s great treasures. They have existed for thousands of years, consisting of tales told in Persia, Arabia, India and Asia. The Arabian Nights (also known as The Arabian Nights) have inspired writers the world over with the ancient power of story.

In her "Preface", Lady Burton guarantees that "no mother shall regret her girl's reading this Arabian Nights". It is a much bowdlerized version of the original edition and was not a commercial success.

It excises of the original 3, pages, including Burton's defense of turpiquilum in his "Foreword", all sexually explicit commentary, and the two final essays on "Pornography" and "Pederasty.

As she stated before his death, "I have never read, nor do I intend to read, at his own request, and to be true to my promise to him, my husband's 'Arabian Nights' ". Smithers , 12 Volumes; this reprint "omits given passages in dreadful taste, whose elimination will be mourned by no one". Nichols' second printing is a scarce and handsome edition, the first to include the illustrations by Letchford. In , two years after their first edition of Burton's Nights, the Nichols-Smithers duo commissioned Burton's close friend, Albert Letchford, to paint 65 illustrations for another edition as well as a portrait of Burton, and soon after commissioned for five more.

Burton and Letchford had met several years before when the latter was 18 and in Florence beginning his art education. They discussed the possibility of illustrating the Nights.

Burton's suggestion of illustrating the Nights had appealed greatly to Letchford on account of the unlimited scope such a subject would give to an artist who loved the East and had a boundless imagination. Letchford commenced study of Eastern images for his paintings, though only one of the illustrations was painted in Burton's lifetime.

This was the first reprint of the original unexpurgated edition and the best reprint for many decades. This edition is the one used by the IAU for naming features on Enceladus. The edition was a commercial failure. There are illustrations by various at least 13 English and French artists. Many of these are uncredited and many are from other some pre-Burton editions of the Nights, some even having nothing to do with the Nights or even the Middle East.

Penzer called these the "Catch Word" editions and there are known to be at least 6 others Teheran, Baroda, etc. These editions were made semi-surreptitiously up through the s and many may have been printed in the US, but bound in the UK. There exists no definitive list of all "Burton Club" editions or their sequence.

According to Penzer, the "Illustrated Benares" edition was the first. Later reprint editions[ edit ] This list is incomplete ; you can help by expanding it. It is translated by Malcolm C. Lyons and Ursula Lyons with introduction and annotations by Robert Irwin. It contains, in addition to the standard text of Nights, the so-called "orphan stories" of Aladdin and Ali Baba as well as an alternative ending to The seventh journey of Sindbad from Antoine Galland 's original French.

As the translator himself notes in his preface to the three volumes, "91o attempt has been made to superimpose on the translation changes that would be needed to 'rectify' Moreover, it streamlines somewhat and has cuts. In this sense it is not, as claimed, a complete translation.

Arabic manuscript of The Thousand and One Nights dating back to the 14th century Scholars have assembled a timeline concerning the publication history of The Nights: He attributes a pre-Islamic Sassanian Persian origin to the collection and refers to the frame story of Scheherazade telling stories over a thousand nights to save her life. A document from Cairo refers to a Jewish bookseller lending a copy of The Thousand and One Nights this is the first appearance of the final form of the title.

Later volumes were introduced using Galland's name though the stories were written by unknown persons at the behest of the publisher wanting to capitalize on the popularity of the collection. An anonymously translated version in English appears in Europe dubbed the volume " Grub Street " version.

This is entitled Arabian Nights' Entertainments—the first known use of the common English title of the work. Based, as many European on the French translation. A second volume was released in Both had tales each. Christian Maximilian Habicht born in Breslau , Kingdom of Prussia , collaborated with the Tunisian Murad Al-Najjar and created this edition containing stories.

Using versions of The Nights, tales from Al-Najjar, and other stories from unknown origins Habicht published his version in Arabic and German. Four additional volumes by Habicht. These two volumes, printed by the Egyptian government, are the oldest printed by a publishing house version of The Nights in Arabic by a non-European. It is primarily a reprinting of the ZER text.

Calcutta II 4 volumes is published. It claims to be based on an older Egyptian manuscript which was never found. This version contains many elements and stories from the Habicht edition. Torrens version in English.

 

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One Thousand and One Nights (Arabic: أَلْف لَيْلَة It is often known in English as the Arabian Nights, from the first English-language edition (c. – c. ), which rendered the title as The Arabian Nights' simpsons-online.tk: Muhsin Mahdi. Arabian Nights (Illustrated Edition of the Tales of the Thousand and One Nights, including Aladdin and the Wonderful Lamp, Ali Baba . 

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